My Marrakesh

Marrakesh: and a tale of Zid Zid designer Julie Klear's birthday

It was a special day, a surprise birthday party kind of day.  So I wore some jeweled sandals and headed over to Delphine Warin & Souhail Tazi's Marrakesh house.

(Delphine and Souhail's house is filled with cozy treasures.)

We were all waiting for birthday girl Julie Klear to arrive so we could jump out and shriek Happy Birthday!  (Ahem, that's exactly what we did).

Julie was so surprised.  She recovered in the garden with her husband Moulay and with a sugar rimmed hibiscus flower cocktail that we brought from Peacock Pavilions.  

Souhail had made a warming birthday meal and we tucked in on the terrace!  (From the left, French lighting designer Laurence Landon, Me, Lise of Palm Pilates, and Julie.)

And of course there was birthday cake that husband Moulay had snuck in.

Served on the perfect plates!

 

It began to grow chilly and more layers were added.  Some in the group got creative, for example, with this live puppy hat.

 The party moved inside and there was some raucous birthday drinking and dancing! 

Julie, you're a girl who always has a star shining overhead, no matter where you are!

Marrakech and Peacock Pavilions: a tale of Moroccan interior design for Thanksgiving

Ah Thanksgiving.  Perhaps the very best of the American holidays.  No television pitches, no Hallmark greeting cards, no gifts.  Just family, friends, and good food.  And being thankful of course (Why can't we do this more often?)

We always celebrate Thanksgiving, even though we live in Morocco.  This year, we had a group of 20 friends, guests, and friends of friends together in the Peacock Pavilions dining tent.  

When we sat down at the table we all said in turn what we were thankful for.  Thanks ranged widely -- from being alive, to our parents, to friends who felt like family, to blessings for the countries where we were born, to living in a place of peace, to our very first full year open at Peacock Pavilions (ahem yes, that last one was mine).    There were a few tears of the good variety.  

As befitting such a nice occasion to be thankful, I tried to make it all look a little special.  

There was simple food.  And somehow it was beautiful all on its own.

And I brought out all my pottery platters from Tamgroute Morocco.  Such a lovely green.

There were olive branches on the table and porcelain pods that Caroline Douglas made for Peacock Pavilions.

We stenciled placemats on kraft paper, using stencils from Royal Design Studio.  This is a trick we learned from former lovely intern Sarah Winward.  I had our dinner napkins at Peacock Pavilions embroidered with peacock feathers.

The children's table had unbreakable copper goblets that I bought in India and glimmery chargers that I commissioned for Peacock Pavilions.  Salt and peper was loaded up in porcelain leaves that Caroline Douglas made for me.

Our olive trees were heavy with olives which made me think that even the pilgrims would have been pleased.  I hung them from our raffia lanterns so it would feel like we were dining under an olive canopy.

And it all looked something like this.

Happy Thanksgiving whether you are in America or anywhere else.  In a world filled with uncertainty, we -- you and me -- are the lucky ones.

Peacock Pavilions: and learning from Elle Decor's Anita Sarsidi

It was so interesting to watch Elle Decor Design Director (and Stylist Extraordinaire) Anita Sarsidi in action at Peacock Pavilions last week.  After so many years at Elle Decor, it's no surprise that she can see each picture in her head and knows exactly what she wants. I was impressed on many levels.  Here are some things I noted:

* No props.  Anita doesn't show up at homes with boxes and bags of props.  She believes that if a home needs extra props, that means it's not done.  In fact, she came to Peacock Pavilions with nothing at all.  {I have to say, I always wondered about the notion of propping someone's house for a feature.  It sort of seems like cheating -- pretending that those things  are the homeowners when they really aren't at all.}

*Layers that tell a story. I was worried that I had too much stuff at Peacock Pavilions.  All those years of collecting curiousities on my travels, from Benin to Afghanistan, and so forth.  Perhaps it was too jumbled.  Perhaps there was too much.  I needn't have worried.  In fact Anita said the problem is often that there isn't enough, that it's "too clean" -- that it looks like a decorator swept in and took half the stuff away.  A house that is too controlled is, well, too controlled.

*Not too perfect, not too symetrical, not too ordered.  Anita often pulled a chair slightly askew, or reordered objects so that they weren't, well, in order.   People don't live with everything perfectly in place, she said.  And of course, she's right.  When something in a group is a little askew, somehow you suddenly really see it and your eyes don't glaze over.

*A home that looks like you and no one else:  Anita puruses hundreds of submissions to Elle Decor.  What she said that she looks for are homes that are personal, have a point of view, and an individual sense of style.  She doesn't want homes that look too influenced by stacks of tear sheets or files of saved images.  Rather, she seeks places that have unique personalities. A house should look like its homeowner {ie with a fingerprint that is unlike any other in the universe}.  

*"Fancy" isn't necessarily the name of the game:  Very few people have an unlimited budget to spend on furnishings  or the cash to hire an interior designer.  But style -- not dollars -- is the point.  Anita's ears perked up at the sound of a beautiful fishing shack  or a gorgeous Malian hut.  {Modest can be just as memorable and poetic.} 

Many thanks to Anita and her great support team (including Julia Duquette)! 

Marrakesh's Peacock Pavilions: and a tale of a design magazine shoot

Dear friends,

It's been so busy around here!  This week, one of the world's most beautiful interiors magazines came and shot my home at Peacock Pavilions.  Such a thrill!

The amazing Anita Sarsidi was the producer and stylist.  She has an incredible (and uncanny) eye and makes everything look lovelier (as if by magic!).  

And Simon Upton -- one of the most talented interiors photographers ever (and one of the nicest) was behind the camera.  I loved his stories about Africa. 

Socrates (Yes, he has Greek blood!) was Simon's assistant.  He's not only some kind of boy wonder with Photoshop but also a film maker.  His work is at the Georges Pompidou right now.  Wowza.

Feel so so lucky.

Here's wishing you a beautiful (and lucky) weekend no matter where you are.

        love,

        Maryam in Marrakesh